The late great stand-up, actor and occasional philosopher George Carlin was known to cross the lines of what polite society would call good taste, but he himself drew a few lines when it came to his theory of funny.
Asked by Larry King in 1990 about popular bad-boy comedian Andrew Dice Clay, Carlin, while defending Clay’s right to say whatever, said, “His targets are underdogs. And comedy has traditionally picked on people in power, people who abuse their power.” Clay’s core audience, Carlin said, were “young white males” threatened by Clay’s targets, assertive women and immigrants among them.
Rule-breaker Eddie Murphy came to look back on his younger self, the brash young man dressed in leather, and cringe, especially at his jokes about women and relationships, he told The New York Times in 2019. “I was a young guy processing a broken heart, you know, kind of an …” — well, you get the idea.
In today’s cruel world, it’s not just comedians punching down, reaching for the “easy” joke, setting new and low standards, though a few still revel in their ability to shock (see Michael Che and his approving nods to vile remarks about the sexual abuse of young female athletes).
Many who should know better have given up seeking a more perfect union, one that welcomes all. They see advantage in aggression and, unlike Murphy, don’t feel one bit embarrassed when reflecting on their words and actions.
In fact, the “punching” is the point, and it’s always aimed squarely at those perceived as less powerful, from poor and disabled Americans who want to vote without jumping through unnecessary hoops and facing intimidation from poll watchers to transgender children eager to play sports to Black and brown students who would like their role in the country’s history to be taught without accommodation for those too fragile to hear the truth.
